
Edmund Sanborn
Director · Cello · Mon, Tue, Sat
Edmund opened Vibrato to teach cello the way he wished he had been taught: one clear step at a time. He teaches cellists of every age and conducts Ensemble B on Saturdays.
Cello and viola school
Vibrato is a small string school with five teachers. Lessons are private, on weekday afternoons and evenings, and on Saturday mornings students play together in ensembles grouped by level.

Levels
Five steps for cello and viola. Every student moves at their own pace, and your teacher decides each step with you.
Sitting with the instrument at the right size and height
Open strings and a relaxed bow hold
The first finger patterns on two strings
Your teacher moves you on when the bow and the left hand work together on a simple tune.
Long and short bow strokes
Reading notes and simple rhythms in first position
Playing a duet with your teacher
You move on when you can read a short piece and keep a steady beat.
Extended finger patterns and more keys
Louder and softer playing, and phrasing
The first move up the neck
You move on when the keys and the first shift are comfortable in a piece.
Shifting between positions
Scales across two octaves
A first look at vibrato
You move on when shifting is steady and you can learn a part on your own.
Playing your own part inside a section
Tuning with others and counting rests
Following a conductor
Players at this level take a seat in Ensemble B on Saturdays.
Sample levels.
Saturday ensemble
Cellists and violists rehearse together, with a teacher at the front and a piano part, in the group that fits their level.
Levels 2 and 3. Players learn to read together and keep one beat.
Levels 4 and 5. Cello and viola parts, rehearsed in sections.
Any level. Adults rehearse at an unhurried pace.
Our teachers
The days beside each name are the days that teacher is in the studio.

Director · Cello · Mon, Tue, Sat
Edmund opened Vibrato to teach cello the way he wished he had been taught: one clear step at a time. He teaches cellists of every age and conducts Ensemble B on Saturdays.

Cello · Tue, Wed, Thu
Samira teaches cello to school orchestra students and leads Ensemble A on Saturdays. She likes a first lesson that ends with a tune you can hum on the way home.

Viola · Mon, Wed, Thu
Crispin teaches viola, and cello to adults who come back to it. His lessons start with sound and posture, and move to music the student picks.

Viola and cello · Tue, Thu, Sat
Avis teaches adult students on weekday evenings and leads the Saturday adult strings group. A student who has not played in years is a favorite first lesson of hers.

Collaborative pianist · Wed, Sat
Sayaka plays the piano part for every Saturday group and for the concerts. She also helps students learn to listen across a section.
The year
Families and friends are always welcome to listen.
Late August · Sit in on a Saturday rehearsal, meet the teachers and hold an instrument.
Early September · Weekly lessons and Saturday ensembles start.
Late October · Ensembles play for each other and for families in the studio.
Mid December · All three Saturday groups play, with piano.
Late December · The studio is closed for lessons and ensembles.
Early January · Lessons and ensembles start again.
April · Solos and duets for cello and viola. Playing is each student's choice.
May · The last Saturday of the year, with all three groups.
Sample dates.
Questions
We teach students from age eight, and adults of any age. For a younger child, ask us about a placement visit and we will talk it through with you.
Lessons are 30, 45 or 60 minutes. Length depends on the student's age and level and what the week's work needs, and your teacher will suggest one.
Not at first. Cellos and violas come in sizes, and a student outgrows a size. Ask your teacher before you buy or rent. We rent cellos and violas in the sizes students need.
At a placement visit a teacher listens to you play, or to you say what you hope to learn, and we match you by instrument, level and the days you can come.
Yes. A parent is welcome to sit in on any lesson, and many do for the first few weeks. There is a bench for waiting outside every lesson room.
A short first meeting. You play or talk, we listen, and a teacher suggests a level and a weekly time. You do not need to prepare a piece.